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Composer

Lalo Schifrin

1932–2025

Mission: Impossible and Bullitt

Lalo Schifrin was born Boris Claudio Schifrin in Buenos Aires in 1932. His father was concertmaster of the Buenos Aires Philharmonic, and the young Schifrin studied classical piano and composition, as well as law, before going to the Paris Conservatoire, where he learned from Olivier Messiaen and played jazz in the city's clubs at night. That double life, half classical and half jazz, would define his music.

Back in Argentina he formed a big band, and Dizzy Gillespie heard him play and invited him to become his pianist, arranger and composer. Schifrin moved to the United States in 1958, played in Gillespie's quintet, and by the mid-1960s was writing for television and film. In 1966 he wrote the theme for Mission: Impossible, its rhythm in an unusual 5/4 time becoming one of the most recognizable themes ever composed.

His film work defined the cool, urgent sound of the late-1960s and 1970s crime film. Bullitt (1968), starring Steve McQueen, features a lean, jazz-driven score that builds the tension toward the film's celebrated San Francisco car chase. Cool Hand Luke, Dirty Harry and its sequels, and Enter the Dragon added to his fame, and he earned six Oscar nominations.

Although his heyday came after the classic studio era, Schifrin's craft and sophistication connect him with the great traditions of film music. He continued to write concert works and won four Grammy Awards. He received an Honorary Academy Award in 2018 and died in Los Angeles in 2025 at the age of 93.

THE ART

Music by Lalo Schifrin

Art celebrating his film scores. Click any piece to view it larger.

THE FILMS

The Story and the Score

Bullitt poster art

Bullitt (1968)

The Story

San Francisco police lieutenant Frank Bullitt is assigned to protect a Mob witness who is shot while in his care. Suspecting a setup by an ambitious politician, Bullitt pursues the killers through the city. Steve McQueen stars in Peter Yates's thriller, famous for its car chase over San Francisco's hills.

The Music

Schifrin's lean, jazz-driven score matches the film's cool, restrained style. His music builds tension before the famous chase, which plays out with only the roar of engines, and its sleek, modern sound helped define the look and feel of the late-1960s crime thriller, influencing police dramas for years to come.