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Composer

Malcolm Arnold

1921–2006

The Bridge on the River Kwai

Malcolm Arnold was born in Northampton, England, in 1921. Inspired by hearing Louis Armstrong, he took up the trumpet, studied at the Royal College of Music and became principal trumpet of the London Philharmonic Orchestra. By the late 1940s he had given up playing to compose full time, and he proved astonishingly prolific.

Arnold wrote nine symphonies, many concertos, ballets and sets of dances, much of it bright, tuneful and full of humor. At the same time he became one of Britain's busiest film composers, writing more than a hundred scores in the 1950s and 1960s, including Hobson's Choice, Whistle Down the Wind and the St. Trinian's comedies.

His greatest screen success came with David Lean's The Bridge on the River Kwai (1957). Lean wanted the British prisoners to whistle the old march "Colonel Bogey," and Arnold wove it into a score that also features his own countermarch. The whistling soldiers became one of the most famous images in cinema, and Arnold won the Academy Award for a score written in a matter of days. He also earned praise for The Inn of the Sixth Happiness (1958).

Arnold's later life was troubled by mental illness and alcoholism, and his output slowed. Yet his music was increasingly celebrated, and he was knighted in 1993. Sir Malcolm Arnold died in Norwich in 2006, remembered as one of the most natural melodists in British music.

THE ART

Music by Malcolm Arnold

Art celebrating his film scores. Click any piece to view it larger.

THE FILMS

The Story and the Score

The Bridge on the River Kwai poster art

The Bridge on the River Kwai (1957)

The Story

British prisoners of war in Burma are forced to build a railway bridge for their Japanese captors. Their proud commander, Colonel Nicholson, insists on building it to perfection, unaware that Allied commandos are on their way to destroy it. Alec Guinness and William Holden star in David Lean's epic, winner of seven Oscars.

The Music

Arnold won the Oscar for this score. The whistled "Colonel Bogey March," combined with Arnold's own countermarch, captures the prisoners' defiance and pride. The music builds tension as the commandos approach and gives the climax its irony and power, turning the march into one of film's most recognizable themes.